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Projects   Project Portfolio – November 2005
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de Young Museum

San Francisco
Herzog & de Meuron

For San Francisco’s De Young Museum, Herzog & de Meuron create a new building with a sensual copper skin that will evolve over time

By Sarah Amelar

  Photo © FAMSF / Mark Darley
   

A fine, jagged crack in the stone pavers leads into the de Young Museum’s entry court. At first you wonder, “Is the craftsmanship so shoddy that the place is falling apart?” But it soon becomes apparent that the crevice or fault—a reference to the area’s seismic history—is willful. Part of a site-specific, permanent installation by artist Andy Goldsworthy, the meandering fissure gives an inkling of how well art fits into this new building by Swiss architects Herzog & de Meuron.

In many ways, the de Young’s subtlety reveals itself gradually. Like a chameleon’s skin, the structure’s copper sheathing transforms itself constantly. As fog rolls in and out and sunlight flickers, this outer layer’s character shifts fleetingly from sheer to opaque, with glints of orange giving way to shades of brown. But beyond momentary fluctuations in light and atmosphere, the cladding has also begun registering long-term effects of time and the elements—turning the copper brown, black, and eventually, green.

“We wanted a material that would be sensitive to—and actually express—the fact of change,” says Jacques Herzog of Herzog & de Meuron. In earlier projects, such as the Ricola Storage Building and Remy Zaugg Studio, the firm had deliberately devised roof structures that invite rainwater to leave its mark on exterior concrete walls. But at the de Young, the architects went further. As Herzog adds, “We intentionally attacked the metal to exploit its inherent tendencies.” Across every elevation, the designers left certain areas of the copper surface smooth, rendered others bumpy or dimpled, and breached yet others with perforations (or with a combination of the above), enhancing the material’s propensity to oxidize—and do so with poetic unevenness. Herzog anticipates that the mature patina, which may take a decade to develop, will not acquire a uniform Statue of Liberty cast, but multiple shades of green dappled with browns and black that blend with the surrounding trees. By the building’s opening day, rain, salt, and fog had already given the cladding subtle streaks of purple, sage, russet, and sepia.

In exposing the forces of nature as a key player, the architects not only defer to the beauty of the site—right in the middle of Golden Gate Park—but also respond to the history of the de Young and the long-standing controversy over the museum’s presence in this 1,000-acre park.

Want the full story? Read the entire article in our November 2005 issue.
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the People

Client
Corporation of the Fine Arts Museums of San Francisco

Architect (Primary Designers)
Herzog & de Meuron

Jayne Barlow, Béla Berec (model), Christine Binswanger, Christopher Haas, Jacques Herzog, Roger Huwyler, Thomas Jacobs, David Jaehning, Lisa Kenney, Philipp Kim, Martin Knüsel, Carla Leitão Mark Loughnan, Jean-Frédéric Luescher, Nickolas Lyons, Dieter Mangold Ascan Mergenthaler, Pierre de Meuron, Thomas Robinson, Anita Rühle Mehrdad Safa, David Saik, Roman Sokalski, Bernardo Tribolet, Marco Volpato

Principal Architects
Fong & Chan Architects
1361 Bush Street
San Francisco, CA 94109
www.fca-arch.com

Collaboration
Rémy Zaugg, Basel, Switzerland (conceptual phase)

Engineer(s)
Structural:
Rutherford & Chekene, San Francisco www.ruthchek.com

Mechanical / Services:
Ove Arup & Partners, California Ltd., San Francisco www.arup.com

Consultat(s)
Lighting:
Ove Arup & Partners, London www.arup.com

Design-built facade fabricator:
A. Zahner Architectural Metals, Kansas www.azahner.com

Theater Consultant:
Auerbach + Associates, Inc., San Francisco www.auerbach-assc.com

Code, Fire + Life Safety:
Rolf Jensen & Associates, Inc., San Francisco www.rjagroup.com

Acoustical Consultant:
Charles M. Salter Associates, San Francisco www.cmsalter.com

Elevators Consultant:
Hesselberg, Keesee & Associates, San Francisco www.elevatorconsulting.com

Food Consultant:
Cini-Little International, Inc., Los Angeles www.cinilittle.com

Security Consultant:
Steven R. Keller and Associates, Florida www.stevekeller.com

Landscape Design:
Hood Design, Oakland

General Contractor
Swinerton Builders, San Francisco www.swinerton.com

Photographer
Mark Darley (Corporations of the Fine Arts Museum of San Francisco - FAMSF); Nic Lehoux

the Products

Structural System
Main Building:
Steel Frame / Tower - Concrete Frame by The Herrick Corporation, CA / Dolan Concrete Construction, CA

Exterior Cladding
Metal:
Copper - 7'200 perforated / embossed panels, A. Zahner Company, Kansas City, MO www.azahner.com; Van Mulder, San Leandro, CA - Installer

Glass curtain wall:
Various types clear glass - Architectural Glass & Aluminium, Northern California, Oakland, CA www.arch.amarlite.com

Roofing
Metal:
Copper, Solid panels, with copper expressed fins following the lines of the building - A. Zahner Company, Kansas City, MO www.azahner.com; Van Mulder, San Leandro, CA (Installer)

Windows
Architectural Glass & Aluminium, Northern California, Oakland, CA www.arch.amarlite.com

Glazing
Glass:
Architectural Glass & Aluminium, Northern California, Oakland, CA www.arch.amarlite.com

Skylights:
Glass at skylights / Spandral glass at mechanical - Crown Sheet Metal & Skylights, Inc., Brisbane, CA www.crownsheetmetal.com

Interior Skylight Glass:
Hung glass with translucent innerlayer - Walters and Wolf, San Francisco, CA www.waltersandwolf.com

Doors
Glass doors:
Walters and Wolf, San Francisco, CA www.waltersandwolf.com

Fire Protection doors :
Painted metal - B.T. Mancini, Milpitas, CA www.btmancini.com

Interior Finishes
Paint:
Benjamin Moore www.benjaminmoore.com; Jerry Thompson & Sons Painting Inc., San Rafael, CA (Installer)

Drywall & Plasterwork:
KHS&S, Concord, CA www.khss.com (Installer)

Acoustic Ceiling (Public Spaces):
Baswaphon, Baldegg, Switzerland www.baswa.com; Raymond Interiors, Concord, CA (Installer)

Tiles:
Celadon handmade tiles - Anne Sacks www.annsacks.com; Tile West, CA ( Installer)

Wood Flooring:
European Hardwood Floors, San Francisco, CA

Stone Pavers:
Porphyry, Italy 6” wide, random lengths, flamed finish by The Cleveland Marble Mosaic Co., Orange, CA www.clevelandmarble.com

Wood Ceiling:
Wood Ceilings, Veneta, OR; Ireland Interior Systems Inc., San Francisco, CA (Installer)

Grilles:
Displacement air supply grilles in Gallery spaces - Presslock bronze grilles, sandblast/acid finish - Romak Iron Works, CA www.romak.com; Reification, San Francisco CA (Finish)

Custom woodwork:
Gallery Wood Cases - Sydney Blue (Eucalyptus) clad display cases by Design Workshops, Oakland, CA

Furnishings
Gallery benches:
George Slack, San Francisco, CA www.georgeslack.com

Movable Display Cases:
George Slack, San Francisco, CA www.georgeslack.com

Stretched Fabric:
20th C Gallery Skylights - Stretched fabric by Newmat newmatusa.com; George Family Enterprises, Suite A, Novato, CA (Installer)

Theatre Seating:
Poltrona Frau, NY www.poltronafrau.it

Reception Desk / Built in Seating:
Arcustone, Oakland, CA; KHS&S, Concord, CA www.khss.com (Installer)

Lighting
Slot lighting system:
Lightolier, Carlsbad, CA www.lightolier.com

Handblown glass globes:
Dan O’Reilley, Berkeley, CA (for Café space)

Landscaping
Exterior Stone:
Appleton Greenmore, Halifax

Exterior Pavers:
Hanover Asphalt Pavers www.hanoverpavers.com

Courtyard Stone:
Sierra Madre random aprox. 4” to 12” pieces; The Cleveland Marble Mosaic Co., Orange, CA (Installer) www.clevelandmarble.com

Wood:
Ipe Benches/Equipment enclosures

Metal:
Painted Metalwork

Trees/Planting:
Species inspired by existing Golden Gate Park trees/planting ie. Eucalyptus Court, Fern Court, Redwoods etc.; Shooter & Butts, Pleasanton, CA (Installer)

 

 
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